I’ve been struggling a little to write this on account of how it makes me sad to think about it - but this is memory I suppose - it’s something I desperately want to hold on to but I also don’t want it to make my emotions go haywire every time. It is written as a possible contribution for Apples and Thyme, an event going on at one of my favorite blogs, Vanielje Kitchen.

My Nani (my mother’s mother) practically raised me. My mother stayed at home to raise me for my entire childhood but my nani - she really developed a particular part of my identity in such a way that I can’t tell whether it was a nurturing process or a naturally inherited one. Probably a bit of both.

In December, I went to India and Nani made those foods that make my mouth water and my eyes well up - she insisted on making only my favorites because I haven’t seen her in years and suddenly all the energy seemed to surge through her body once again and she bounded into the kitchen every morning to set aside dough for chapatis.

Chapatis - how to describe them, truly describe them? When they are homemade, when they are handmade, by a woman you respect and love so much, when they are perfectly round because of years of practice and patience as a wife and mother; when they are perfectly oiled and never burnt and when they are eaten with rice and with that favorite dhaal that she doesn’t like but that she makes for you. When they are accompanied by story after story, about the ‘47 partition, about learning to cook for a stranger you must spend the rest of your life with, about raising two daughters, about raising a granddaughter.

She says “they only taste this good because they are made by your nani” - and that’s true to some extent. I’ve eaten naan and chapatis and parathas from the best of women and the best of restaurants and it just isn’t the same.

When I think of chapatis - the time it takes to prepare and yet how quickly they can be made after years of practice - I think of her. I think of her sacrificing everything because it was what you did and I feel guilty when I think of the times I mistook this selflessness for weakness. I think of the patience she puts into every task and that kind of love that resonates in every gesture. In every chapati is a part of that woman, a part of that woman’s trauma and grace that I so desperately wish I was able to understand.

When I was younger and I watched her in the kitchen as she turned the last remains of the dough into a small heart which she would let me play with before it was put on the pan, I used to imagine her giving a part of her secret life to me - that part of her life that she never talked about but I knew existed long before my life even began. I loved pressing my fingers into the very same spots of the dough that she had, until the heart became an uneven slab of mangled prints.

Now thinking back on it, I still feel this way - this sense of wholeness that comes only when I am with her, or with my mother or with my aunt. Where the fragmented parts come together to make one complete heart.

My nani has affected the way I think about food because I see it now as a metaphor for intimacy and for colonial trauma, as a mode through which we pass down our stories and histories, and through which we receive both painful and pleasurable inheritances. But she has affected the way I view and pursue strength as a woman also; she moves me to want better and to love despite everything else.

One day I will learn to make chapatis as perfectly round and flat as she does, and it will probably be the day I learn to love the way that she does.